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Come As A Child - Christmas Cantata
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Welcome Spring! - cantata for SATB choir, optional youth choir, and piano (or strings)
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1402277 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1402277 Composed by Alan Bullard. 21st Century,Children,Classical,Easter. 38 pages. Colne Edition / BullardMusic #985484. Published by Colne Edition / BullardMusic (A0.1402277). This short cantata is an accessible and tuneful portrait of Spring. Its four lighthearted movements begin as the snow melts and life beings anew: following this is a hymn to spring and new growth, which is followed by the humorous nonsense song `Spring is Sprung' and finally the choir welcomes May in all its glory and promise of Summer. The words of the first and last songs, `The Snow Melts' and `The Coming of May', are by the nineteenth-century nature-poet John Clare, and the second movement `Hymn to Spring' is by John Newton.Welcome Spring! is for SATB choir, optional youth choir, and piano, and its original title was âWelcome May!â.  A version with string orchestra accompaniment (which you can hear on the audio) is also available from Colne Edition.Duration c. 10 minutesAll movements may be performed separately, and the third movement, âSpring is Sprungâ is also on sale in a separate version for Youth Choir and Piano.www.alanbullard.co.uk   www.colneedition.co.uk   COLNE EDITION CE81Â
$4.99
4.66 €
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Chorale SATB
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Alan Bullard
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Welcome Spring! - cantata for SATB choir, optional youth choir, and piano
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Colne Edition / BullardMusic
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SheetMusicPlus
The Miracle I've Seen - Easter Cantata
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.770905 Composed by Steve & Jennifer …
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Choral Choir (SATB) - Digital Download SKU: A0.770905 Composed by Steve & Jennifer Hall, Scott Carpenter. Christian,Easter. Octavo. 64 pages. Bible Truth Music #3684063. Published by Bible Truth Music (A0.770905). Bible Truth Music is pleased to present this exciting Easter musical! The moving dramatic script has been interwoven with seven meaningful songs to clearly show that Jesus Christ cares for individuals and still works miracles in lives today. Carefully designed for any size ministry, the songs have been arranged to be comfortably attained even by smaller choirs. The dramatic cast requires three men (could include pastor), one woman, and one boy. Four of the characters are biblical, including the Apostle John who speaks as an eye-witness of the empty tomb and the events surrounding the resurrection.The Miracle I've Seen includes the powerful anthem, I Stand in Awe as well as the compelling new song Come to Christ. Other songs include The Light of the Son, Easter Praise, In the Cross of Christ, and The Miracle I've Seen. Each song has great potential for re-use as a stand alone choir special or solo. This musical also includes a fun song for optional children''''s choir.
$4.50
4.2 €
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Chorale SATB
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Steve & Jennifer Hall, Scott Carpenter
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The Miracle I've Seen - Easter Cantata
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Bible Truth Music
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SheetMusicPlus
Three Nonsense Songs (SATB and optional childrens' choir)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1179916 Composed by Alan B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1179916 Composed by Alan Bullard. Children,Comedy. Octavo. 24 pages. Colne Edition / BullardMusic #779863. Published by Colne Edition / BullardMusic (A0.1179916). Three Nonsense Songs for SATB choir, optional unison childrensâ choir, and piano (or brass quintet) - words by Edward Lear 1. Broom, Shovel, Poker and Tongs 2. The Owl and the Pussycat 3. The Table and the Chair Rediscover the magical world of Edward Lear: the Table and Chair who learnt to walk, the eventful Sunday outing of the Broom, Shovel, Poker and Tongs, and of course the romantic courtship of the Owl and Pussycat!Three Nonsense Songs are selected from Mr Lear, an entertainment for SATB choir with optional childrensâ choir and narrator, with piano or brass quintet (Colne Edition CE49). The three songs are also available separately, all from this site.More details: https://www.alanbullard.co.uk/score/three-nonsense-songs/Alan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
3.72 €
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Chorale SATB
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Alan Bullard
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Three Nonsense Songs
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Colne Edition / BullardMusic
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SheetMusicPlus
The Table and the Chair (for SATB with optional childrens' choir)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1178799 Composed by Alan B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1178799 Composed by Alan Bullard. Children,Comedy. Octavo. 8 pages. Colne Edition / BullardMusic #778764. Published by Colne Edition / BullardMusic (A0.1178799). Rediscover the magical world of Edward Lear through a conversation between a table and a chair as they learn to walk, wander through the town, get a little lost, and finally dine together on beans and bacon! The Table and the Chair (Colne Edition) is a movement from Mr Lear, an entertainment for SATB choir with optional childrensâ choir and narrator, with piano or brass quintet. Three of the songs (including this one) are also available together as Three Nonsense Songs, all from this site.Alan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk
$1.99
1.86 €
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Chorale SATB
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Alan Bullard
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The Table and the Chair
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Colne Edition / BullardMusic
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SheetMusicPlus
The Owl and the Pussycat (SATB & optional childrens' choir)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1177023 Composed by Alan B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1177023 Composed by Alan Bullard. Children,Comedy. Octavo. 8 pages. Colne Edition / BullardMusic #777041. Published by Colne Edition / BullardMusic (A0.1177023). Rediscover the magical world of Edward Lear through this musical setting of the romantic tale of the Owl and the Pussycat. The words and music colourfully picture their journey and their wedding in the land where the Bong-Tree grows, followed by dancing by the light of the moon! The Owl and the Pussycat is a movement from Mr Lear, an entertainment for SATB choir with optional childrensâ choir and narrator, with piano or brass quintet (Colne Edition CE49). Three of the songs (including this one) are also available as Three Nonsense Songs (Colne Edition CE119) Alan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$1.99
1.86 €
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Chorale SATB
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Alan Bullard
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The Owl and the Pussycat
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Colne Edition / BullardMusic
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SheetMusicPlus
Broom, Shovel, Poker and Tongs (SATB with optional childrens' choir)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1178796 Composed by Alan B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1178796 Composed by Alan Bullard. Children,Comedy. Octavo. 12 pages. Colne Edition / BullardMusic #778761. Published by Colne Edition / BullardMusic (A0.1178796). Rediscover the magical world of Edward Lear through this musical picture of the quirky below-stairs world in the Lear household. The four companions go for a carriage ride in the park on their afternoon holiday â but Mr. Poker gets a bit too friendly with Miss Shovel, and Mr. Tongsâ amorous approaches to Mrs Broom only meet with laughter, and then anger, from the two ladies. However, on their return home, a cup of tea soon calms everyone down and puts matters right again! Broom, Shovel, Poker and Tongs is published by Colne Edition and is a movement from Mr Lear, an entertainment for SATB choir with optional childrensâ choir and narrator, with piano or brass quintet. Three of the songs (including this one) are also available togther as Three Nonsense Songs, all from this site.Alan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.ukÂ
$1.99
1.86 €
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Chorale SATB
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Alan Bullard
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Broom, Shovel, Poker and Tongs
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Colne Edition / BullardMusic
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.69 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Welcome Back, Billy Best - Choral Score
Chorale Unison
Unison/Two-part chorus - Digital Download SKU: C7.CGC36 Composed by Jody W Lindh an…
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Unison/Two-part chorus - Digital Download SKU: C7.CGC36 Composed by Jody W Lindh and Joe Cox. General. With Soloists, two keyboards, electronic piano/synthesizer. Cantata. Choral Score. 20 pages. Chorister's Guild - Digital #CGC36. Published by Chorister's Guild - Digital (C7.CGC36). UPC: 749193003329.Unison/Two-part- General Today's young people are faced with pressures and temptations not dreamed of a generation ago. Self-respect for others, in the form of tolerance, are of primary importance for survival as the world continues to shrink and cultures are increasingly melded into a global community. All God's Children helps older children and teenagers explore these issues in the light of God's word in a hip, humorous way. Your group will be so caught up in how genuinely fun this show is, theyAEll hardly even realize how much they're learning about God's plan for them! Performance time: approximately 30 minutes.
$5.95
5.55 €
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Chorale Unison
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Jody W Lindh and Joe Cox
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Welcome Back, Billy Best - Choral Score
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Chorister's Guild - Digital
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SheetMusicPlus
Mr Lear - an entertainment for Choir and Brass Quintet or Piano
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1181610 Composed by Alan B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1181610 Composed by Alan Bullard. Children,Comedy. Octavo. 60 pages. Colne Edition / BullardMusic #781399. Published by Colne Edition / BullardMusic (A0.1181610). Mr Lear: Re-discover the magical world of Edward Lear: the table and chair who learned to walk, the melancholy reminiscences of Uncle Arly, the Sunday outing of the Broom, Shovel, Poker and Tongs, the tale of the broken-hearted Yonghy-Bonghy-Bò, and the courtship of the Owl and the Pussycat, all linked together by narrations and limericks and presented in an accesible style.Scoring: SATB choir, optional narrator, optional childrenâs choir, with either piano (as in this score) or brass quintet accompaniment (brass quintet material on hire from Colne Edition)Duration 30-35 minutes.  A selection from this piece, Three Nonsense Songs, is also available, and these three songs are also published separately, all from this siteAlan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk Â
$5.99
5.59 €
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Chorale SATB
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Alan Bullard
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Mr Lear - an entertainment for Choir and Brass Quintet or Piano
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Colne Edition / BullardMusic
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SheetMusicPlus
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